The material should then be worked away from that seam, once again pressing gently so as to remove any air pockets or wrinkles on this panel against the wall.The second panel should be applied to the wall by starting out with butting, as tightly as possible, the leading edge to the panel up on the wall, being particularly careful not to overlap or to leave any gaps in the seams.NOTE: Be careful not to paste too far ahead of your work so as to avoid premature drying of the adhesive.The horizontal weave should be adjusted to appear as horizontal as possible. Before applying the next panel, trim the top and bottom of the panel just adhered to the wall surface. The smoothing should be done from the top of the panel down. Take care not to press too harshly against this surface.Press the panel to gently move any bubbles or wrinkles that may appear in the material as a result of handling. Apply the cut panels from top to bottom, without using the seam rollers, laying the leading edge against your penciled plum line.Apply a second coat of undiluted adhesive to the wall, allowing it to dry to its maximum tackability without it being overly dry.Apply a coat of adhesive to the wall allowing it to dry completely.Each panel should be hung plum (straight up and down). Make sure to hang each of these panels in the same sequence that they came off of the bolt. Once again, do not pile your rolled panels on top of one another. After you have determined your cut lengths and have made these cuts, it is suggested that in order to maintain consistency, you routinely reroll each strip from the bottom up with a broom handle and lay in a convenient location. Make sure that the material is lying flat on a smooth surface and that the straight edge is completely parallel to the edge to be cut. Blades should be changed frequently to maintain the cleanest possible edge. Check all roll tickets to determine whether more than one run or lot number of the same pattern is to be installed.įabrics should be pre-trimmed on the table with a straight edge or over-lapped and double cut, using a clean and sharp knife blade. Applicationīefore cutting, examine goods to make sure the pattern and colour are as ordered. A temperature above 13˚C should be maintained in both areas of installation and storage. Use a commercial grade, heavy duty pre-mixed adhesive, full strength, suitable for acrylic backed fabric wall coverings. Use only a lead pencil for marking walls and back of wall covering. If a paper or canvas liner is thought necessary, the same pre-mixed vinyl adhesive must be used as on the actual wallcovering. This should be determined by the installer. If this condition exists, prime as above to remove moisture penetrating the paint surface. One strip should be hung to determine if blistering or loss of adhesion will appear over a 72 hour period. If there are any questions concerning the surface to be covered a test installation is the recommended course of action. On highly alkaline surfaces such as asbestos board or cement block, use an alkyd enamel under body or similar wallcovering primer for alkaline surfaces. Use an acrylic or latex wall covering primer for normal gypsum or plaster wall surfaces. This will avoid the possibility of “strike through” of tape and spackle lines or other variances in the colour of the wall. It is important to prime walls with a primer that provides a solid colour surface. Sealed walls should be rough sandpapered glossy surfaces should be sanded to dull the surface and the dust removed with a dry cloth. Freshly plastered walls must be dry before application. All loose paint and other wall coverings must be removed. Wall PreparationĪcceptable hanging surfaces must be clean, smooth, thoroughly dry and structurally intact. Instructions for the installation of our Textile Wall Covering collection.įirst, and most importantly, if at any time during the installation a discrepancy is discovered, stop! Contact your supplier before proceeding.
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